Serving the UMN community since 1900

The Minnesota Daily

Serving the UMN community since 1900

The Minnesota Daily

Serving the UMN community since 1900

The Minnesota Daily

Arts & Entertainment

For Spoon, Less Is More Is True

by Dave Dorman
Published October 10, 2002
SPOON: Kill the Moonlight (Merge)

He the Deejay

by Tom Horgen
Published October 10, 2002

El-P and his Def Jux monolith hovered over Minneapolis several weeks ago. But underground hip hop has felt this looming presence for more than a year. Since mid-2001, when El-P introduced Cannibal Ox to...

A Cold, Cold Omaha

by Niels Strandskov
Published October 10, 2002

Punk Rock Omaha is that rarity in theater: an improv-based play that is actually funny. Not just dry-chuckle-at-a-play-on-words funny either, but gnashing, hard-hitting, ironic funny that lampoons its...

Perils of Pauline

by Monica LaBelle
Published October 3, 2002
Les Destin

A Fiercer Hell

by Niels Strandskov
Published October 3, 2002

Despite the number of film appearances that Satan has racked up, there are comparatively few cinematic portrayals of hell. Not only that, but movie hell is too mannered - too cartoonish and clichéd...

Dressed to Bore

by Amy Danielson
Published October 3, 2002

Here's a refreshing image: a gently flowing river surrounded by grass, trees and furry little animals. A deer stands in a shallow spot. His tail twitches. The camera moves in on his fuzzy, lightly-colored...

Beck in the High-Life

by Lyndsey Thomas
Published October 3, 2002

The life of Beck Hansen reads like a tall tale and could very well be remembered as one. The story of his adventures will be passed down from generation to generation, like those of Paul Bunyan and Johnny...

Sublime Circus

by Amy Danielson
Published October 3, 2002
Often Referred To as a Magician by Critics, Goebbels Relishes in Mixing Musical Genres

Trenchcoat Science at The Jungle

Published October 3, 2002

The Jungle's adaptation of Tom Stoppard's Hapgood succeeds rather peculiarly by reveling in silence. The players here recognize the value and beauty inherent within the absence of sound. As Einstuerzende...

Rude, Crude and Coming Unglued

by Amy Danielson
Published October 3, 2002
Twin Cities production company 3 Legged Race gave puppeteer Moe Flaherty complete artistic freedom, six months to develop their

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