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Serving the UMN community since 1900

The Minnesota Daily



Serving the UMN community since 1900

The Minnesota Daily

Serving the UMN community since 1900

The Minnesota Daily

Music

PHOTO COURTESY XL RECORDINGS

Escape holiday hymns with Vampire Weekend — and more.

by Mark Brenden
Published December 9, 2009
Pills, Mariah Carey, pop and Beck are all present on these winter releases. “Silent Night,” however, is not.
PHOTO COURTESY XL

The best albums this century

by Mark Brenden
Published December 2, 2009
A&E wracked our brains and argued continually, but these were the final competitors.
PHOTO COURTESY FRENCHKISS RECORDS

Best local LPs of the decade

by Jay Boller
Published December 2, 2009
The choicest full-lengths T.C. artists had to offer in the oughts
PHOTO COURTESY INTERSCOPE RECORDS

Lady Gaga’s “The Fame Monster” will eat your heart and your brain.

by John Sand
Published November 25, 2009
Everyone's googoo for Gaga, and for good reason.
PHOTO COURTESY LANGDON/AUGUSTO

Interview: Har Mar Superstar

by Mark Brenden
Published November 24, 2009
The scantily-dressed dance phenomenon riffed with A&E before taking ship overseas for a European tour.
PHOTO COURTESY VOYAGEUR PRESS

Replacements tribute at First Ave

by Jay Boller
Published November 24, 2009
The band, broken up since 1991, still possesses a cultish Twin Cities following.
PHOTO COURTESY RCA

Emo boxing: Dashboard Confessional vs. Say Anything

by Jay Boller
Published November 18, 2009
Two heavyweight emo groups. Two new records. One victor.

Interview: Lazerbeak

by Tony Libera
Published November 18, 2009
A&E speaks with the Doomtree producer about his upcoming discussion at The Whole Music Club.
Interview: Tender Meat

Interview: Tender Meat

by Mark Brenden
Published November 11, 2009
A&E sat down with local electronica act Tender Meat to get down to the bone of what makes their instrumental sound work.
The Mountain Goats graze through the Cedar

The Mountain Goats graze through the Cedar

by Jay Boller
Published November 8, 2009
The playlist was speckled with anthemic and confessional songs that reached deep back into lead singer John Darnielle’s canon.

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