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Music
Britney Spears is the world’s greatest living pop artist
by
Ethan Lambert
Published October 24, 2023
As Britney returns to the forefront, it is time to give her her flowers.
Review: “Hackney Diamonds” by The Rolling Stones
by
Ethan Lambert
Published October 23, 2023
When not bogged down by horrendous vocal production, the Stones’ new album manages to produce some classic-sounding tunes.
Age Old Debate: Apple Music vs. Spotify
by
Alexis Letang
Published October 18, 2023
Students give their reasons why they use one music streaming service over the other.
Geese unleash chaos of new album “3D Country” at 7th Street Entry
by
Ethan Lambert
Published October 17, 2023
The Brooklyn-based art rock band effortlessly brought their complex brand of post-punk to the 250-capacity venue on Saturday night.
Review: “Javelin” by Sufjan Stevens
by
Max Mueller
Published October 10, 2023
Sufjan’s new project is beautifully constructed yet feels generic.
Review: “For All The Dogs” by Drake
by
Ethan Lambert
Published October 9, 2023
Drake’s eighth studio album feels bloated yet still showcases some noteworthy high-energy tracks.
Review: “Voir Dire” by Earl Sweatshirt and The Alchemist
by
Cole Bursch
Published October 4, 2023
Sweatshirt and The Alchemist collaborate for the best rap album of the year.
Music genres are not as concrete as they used to be
by
Alexis Letang
Published October 3, 2023
Genres and the conversations surrounding them are constantly changing and being mixed.
New technology has created the longest albums ever
by
Max Mueller
Published October 2, 2023
Albums, like “Sleep” by Max Richter, push the limits of how long an album can be.
Q&A: Anton Newcombe of The Brian Jonestown Massacre
by
Ethan Lambert
Published September 27, 2023
The Brian Jonestown Massacre to headline the Varsity Theater this Saturday night.
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