After receiving applause from a packed audience at Jazz Central, Larry McDonough and his quintet decided to bring their Chet Baker tribute concert to the Dakota Jazz Club. McDonough, an adjunct law professor at the University of Minnesota, will play a concert honoring BakerâĂ„Ă´s music at the Dakota Jazz Club on Thursday. McDonough banded together four other Minnesota musicians for the occasion: trumpeter Steve Kenny, saxophonist Richard Terrill, bassist Greg Stinson and Dean White on drums. âĂ„ĂºI really didnâĂ„Ă´t see it coming that it would be that popular. We all had a lot of fun doing it, so I thought, âĂ„Ă²Well, we should book some other shows,âĂ„Ă´âĂ„Ă¹ McDonough said of their debut performance at Jazz Central. Aside from performing more concerts throughout the rest of the year, the group may produce an album with their show material, McDonough said. In the first act, the quintet will perform material synonymous with Baker, the famous jazz trumpeter and vocalist. The second act consists of both McDonoughâĂ„Ă´s original tunes and other jazz pieces that blend with BakerâĂ„Ă´s style. Baker rose to stardom in the âĂ„Ă´50s for his trumpet playing and soft vocals. A lifetime of drugs and visits to jail took him out of the spotlight, though he made a comeback in the late âĂ„Ă´70s and âĂ„Ă´80s before his death in 1988. âĂ„Ăº[Baker] kind of coasted through life and did the minimal amount to get by,âĂ„Ă¹ McDonough said. âĂ„Ăº[He] found material that worked for him, and he just kept doing it âĂ„¦ so I chose some pieces that I think he should have expanded his repertoire to do.âĂ„Ă¹ In between songs, McDonough and Kenny will provide context about BakerâĂ„Ă´s life. Terrill will perform two poems that he composed for the show: one about Baker and one about pianist Bill Evans to go with their performance of EvansâĂ„Ă´ âĂ„ĂºSome Other Time.âĂ„Ă¹ âĂ„ĂºItâĂ„Ă´s kind of a tribute to his music and a discussion of his life,âĂ„Ă¹ McDonough said. Kenny said McDonoughâĂ„Ă´s singing style shares the same frailty of BakerâĂ„Ă´s croons. For most of McDonoughâĂ„Ă´s career, people have compared his voice to that of BakerâĂ„Ă´s. The recurring comparison first gave McDonough the idea to dig into BakerâĂ„Ă´s music and, eventually, curate the concert. McDonough said that for the Baker concert, he adjusted his singing for a closer impersonation. âĂ„ĂºI had to rein back my emotional side of singing a little bit, so itâĂ„Ă´s a little cooler,âĂ„Ă¹ McDonough said. When McDonough isnâĂ„Ă´t nailing jazz standards on stage, he teaches âĂ„ĂºPoverty LawâĂ„Ă¹ at the University, from which he graduated in 1978 with a degree in music education. In addition to creating the course âĂ„ĂºPoverty Law,âĂ„Ă¹ McDonough also brought the âĂ„ĂºHousing Law ClinicâĂ„Ă¹ to the school, where students represent clients under the supervision of a professor or lawyer. He has also taught similar courses at the University of St. Thomas, Hamline University and William Mitchell College of Law. Outside of his work as an attorney, McDonough continued to pursue music on the side, working as a âĂ„ĂºjobberâĂ„Ă¹ for much of the âĂ„Ă´70s and âĂ„Ă´80s. In 2007, he was inducted into the Minnesota Rock Country Hall of Fame for his gig with DannyâĂ„Ă´s Reasons. In the âĂ„Ă´90s, McDonough focused more on his solo work and released eight albums. In the past 15 years, McDonough has collaborated with musicians including Benny Golson, Fred Wesley and Duane Eubanks. McDonough said keeping up his two passions of law and music allows him to explore opportunities on each side. He finds both crafts require intellectual and artistic aspects. Similar to how a lawyer crafts an argument on the spot, McDonough said jazz requires a comparable amount of energized improvisation. McDonough, Kenny and Terrill said that in their improvisation, the ensemble enjoys synchronicity with ease. Following a tune at Jazz Central, Terrill and Kenny improvised for five minutes, going back and forth on saxophone and trumpet. âĂ„ĂºWe were all just kind of using our serendipity that weâĂ„Ă´ve acquired over decades of playing jazz,âĂ„Ă¹ Terrill said. âĂ„ĂºI expect there to be more of that type of thing because some of the pieces weâĂ„Ă´re playing are difficult, but some of them are really in the pocket; everyone can just kick back and blow.âĂ„Ă¹ What: âĂ„ĂºChet – The Beautiful Music and Tragic Life of Singing Trumpeter Chet BakerâĂ„Ă¹ When: 7 p.m. Thursday Where: The Dakota Club, 1010 Nicollet Mall, Minneapolis Cost: $5
A trumpeting tribute
University of Minnesota adjunct professor Larry McDonough is playing at the Dakota Jazz Club.
Published April 9, 2015
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