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Music
Geese unleash chaos of new album “3D Country” at 7th Street Entry
by
Ethan Lambert
Published October 17, 2023
The Brooklyn-based art rock band effortlessly brought their complex brand of post-punk to the 250-capacity venue on Saturday night.
Review: “Javelin” by Sufjan Stevens
by
Max Mueller
Published October 10, 2023
Sufjan’s new project is beautifully constructed yet feels generic.
Review: “For All The Dogs” by Drake
by
Ethan Lambert
Published October 9, 2023
Drake’s eighth studio album feels bloated yet still showcases some noteworthy high-energy tracks.
Review: “Voir Dire” by Earl Sweatshirt and The Alchemist
by
Cole Bursch
Published October 4, 2023
Sweatshirt and The Alchemist collaborate for the best rap album of the year.
Music genres are not as concrete as they used to be
by
Alexis Letang
Published October 3, 2023
Genres and the conversations surrounding them are constantly changing and being mixed.
New technology has created the longest albums ever
by
Max Mueller
Published October 2, 2023
Albums, like “Sleep” by Max Richter, push the limits of how long an album can be.
Q&A: Anton Newcombe of The Brian Jonestown Massacre
by
Ethan Lambert
Published September 27, 2023
The Brian Jonestown Massacre to headline the Varsity Theater this Saturday night.
Four local artists with new music to look out for in the Twin Cities
by
Alexis Letang
Published September 25, 2023
New music from We Are the Willows, The Dalmatian Club and more is coming this fall.
Review: “GUTS” by Olivia Rodrigo
by
Ethan Lambert
Published September 19, 2023
Rodrigo follows up her 2021 smash-hit “SOUR” with an album that continues to hearken back to the alt-rock heroes of the 1990s and 2000s.
Review: Death Grips return to Minneapolis on their long-awaited comeback tour
by
Ethan Lambert
Published September 18, 2023
The industrial hip-hop trio commanded the Fillmore for one of the most high-energy shows in the Twin Cities this year.
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